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Glossary of Graffiti R-W Wikipedia.org

A number of words and phrases have come to describe different styles and aspects of graffiti. The following terminology comes primarily from the United States, some phrases vary in different cities and countries.


Roller
An enormous piece done with a paint roller instead of aerosol.

Rook
trusted member of a crew.

Run
The length of time graffiti remains up before being covered or removed. If a piece has been up for a year, it is said to have "run for a year".

Rusto
Rust-Oleum brand spray paint.

Scribe
Also called "scratchitti," scribing creates hard-to-remove graffiti by scratching or incising a tag into an object, generally using a key, knife, stone, ceramic drill bit, or diamond tipped Dremel bit. The Mohs scale of mineral hardness determines which stones or other objects will scratch what surfaces. Often accompanied by etch, which is a faster method only applicable on glass surfaces

Slam
To paint an extremely conspicuous or dangerous location.

Slash
To put a line through, or tag over, another's graffiti. This is considered a deep insult. It is also known as "marking", "dissing" and "capping" (because of an infamous writer called CAP going over almost every piece on every car of the New York transit system in the early 70s and has become sort of a criticized legend because of that). Also referred to as "crossing out", "dissing" or "going over".

Soak up
To consider other pieces for inspiration.

Spanish Montana
Specialty paint brand company designed for graffiti. Due to a dispute in name branding, it is unrelated to German Montana, a company selling the same products capitalizing on the idea after Spanish Montana.

Stainer
A marker used to tag with, generally with a 12mm or 20mm tip. In some countries such as Australia possession of these without a reason can result in an on the spot fine

Sticker
Also referred to as "labels" or "slaps". A sticker (often obtained from shipping companies and name greeting labels) with the writer's tag on it. A sticker can be deployed more quickly than other forms of graffiti, making it a favorite in any public place such as newspaper dispensers, stop signs, phone booths etc. A popular sticker that was used originally was the "Hello my name is" red stickers in which a writer would write his or her graffiti name in the blank space.

Straight letter
Also referred to as "straights" and sometimes "simples" are a direct blocky, more readable and simpler style of graffiti. Straight letters can be read by anyone and usually contain only 2 colors.

Tag (scribble)
A stylized signature, normally done in one color. The simplest and most prevalent type of graffiti, a tag is often done in a color that contrasts sharply with its background. Tag can also be used as a verb meaning "to sign". Writers often tag on or beside their pieces, following the practice of traditional artists who sign their artwork. A less common type of tag is a "dust tag", done in dust by writers to practice. The verb tagging has even become a popular verb today in other types of occasions that are non-graffiti-related. Tagging first appeared in Philadelphia, with spraypainted messages of "Bobby Beck In '59" on freeways surrounding the city. The first "king" was also crowned in Philly: Cornbread (graffiti), a student who began marking his nickname around the city to attract the attentions of a girl. In New York City, TAKI 183 inspired a newspaper article about his exploits, leading to an explosion of tagging in the early seventies.

Throw-up
A throw-up or "throwie" sits between a tag and a piece in terms of complexity and time investment. It generally consists of a one-color outline and one layer of fill-color. Easy-to-paint bubble shapes often form the letters. A throw-up is designed for quick execution, to avoid attracting attention to the writer. Throw-ups are often utilized by writers who wish to achieve a large number of tags while competing with rival artists. Most artists have both a tag and a throw-up that are essentially fixed compared to pieces. It is mostly so because they need to have a recognizable logo for others to identify them and their own individual styles.

Top-to-bottom
Pieces on trains that cover the whole height of the car. A top-to-bottom, end-to-end combined production is called a whole-car. A production with several writers might cover a whole-train, which means the entire side of the train has been covered. In the U.S. this term can also be used as a single noun instead of only an adjective.

Toy
1. Used as an adjective to describe poor work, or as a noun meaning an inexperienced or unskilled writer. Graffiti writers usually use this as a derogatory term for new writers in the scene or writers that are old to the scene that still do not have any skill or reputation. The act of "toying" someone else's graffiti is to disrespect it by means of going over it (see "slash"/"going over").
2. "toys" often added above or directly on a "toy" work. An acronym meaning Tag Over Your Shit.

Undersides
Tags or signatures painted on the under carriage of passenger trains. Undersides are normally marked in the yard after painting the train panel, most undersides will last somewhat longer than the original piece, as the railway workers primarily focus on the most visible things and sometimes do not have resources to clean everything.

Up
Writers become up when their work becomes widespread and well-known. Although a writer can "get up" in a city by painting only tags (or throw-ups), a writer may earn more respect from skillfully executed pieces or a well-rounded repertoire of styles than from sheer number of tags. Usually the more spots a writer can hit, the more respect he or she gains. A writers ups is determined by how much prolific graffiti he/she has accomplished and that is actively running.

Whole car
A single or collaborative piece that covers the entire visible surface of a train car, usually excluding the front and rear of the train. A whole car is usually worked upon by either a single artist or several artists from the same crew and is completed in one sitting.

Whole train
All train cars (usually between four and eight or more, regardless of the train length) completely covered with paint reaching the far end of the train on one or both sides. Such demanding actions are often done by multiple artists or crews and with a limited variation of colors - commonly in black and silver - because of the stressing time limitation they are facing when painting in the train yards (very often less than 30 minutes). However the more artists who participate, the better works can come out of it and the cars are done quicker too. This type of graffiti, if finished successful, is one of the most respected forms amongst other writers, but is also rarer due to the higher risk of getting caught.

Wildstyle
Graffiti with text so stylized as to be difficult to read, often with interlocking, three-dimensional type.

Window-down
Used mostly as a prefix for a whole car (other variations are possible too) where the content has been painted below the window borders, almost always covering the whole surface in its length (see end to end). Can be used as a more precise alternative to the mentioned term within the brackets, but though not in addition to top-to-bottom as that will exceed the definition of the term.

Woodblock graffiti
Artwork painted on a small portion of plywood or similar inexpensive material and attached to street sign posts with bolts. Often the bolts are bent at the back to prevent removal.

Writer
A practitioner of writing, a graffiti artist.

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